“Chasing the Dragon: The Life of an Opiate Addict”: FBI & DEA Documentary & Poster Contest

In an effort to combat the growing epidemic of prescription drug and heroin abuse, the FBI and DEA have released “Chasing the Dragon: The Life of an Opiate Addict,” a documentary aimed at educating students and young adults about the dangers of addiction. More at www.fbi.gov/ChasingTheDragon

Teens in grades 7-12 are invited to create and submit a poster that focuses on the consequences of using heroin and/or misuse of prescription opioids. Posters should be 24” x 36” and should be submitted, via mail or in person, to the FBI, Cleveland Division Field Office, 1501 Lakeside Avenue, Cleveland, Ohio 44114, attn: Community Outreach Specialist, by 5:00 p.m. on March 9, 2018.

More than 400 superintendents/school principals in our area received informational packets regarding the Chasing the Dragon poster contest in an effort to help us and our partners spread the word.

Alumni of the FBI Future Agents in Training program will judge the submitted posters and announce the winners. Prize money is being provided by the FBI Cleveland Citizens Academy Foundation, Robby’s Voice, Mr. and Mrs. Bob Brandt, Westshore Enforcement Bureau, and Mr. James Watson. Winning posters are likely to be displayed in public venues upon the conclusion of the contest.

Students wishing to create and submit a poster may contact FBI Community Outreach Specialist Tamara Larkin at tmlarkin@fbi.gov for additional information and an entry form.

Jordan Peterson Documentary: Journalist David Fuller Takes a Look at Dangers of Polarization & More

Published on Feb 15, 2018

Journalist David Fuller made the first full documentary about Jordan Peterson, and also used to work at Channel 4 News as producer and reporter for over a decade. He takes a close look at the recent viral interview with Cathy Newman and uses this cultural watershed to unpack the deeper political, psychological and archetypal levels of the clash.
Fuller’s companion piece to his documentary:

 

The documentary does a nice job of looking at polarization, closely held  ideology, gender myths, hostility toward men, discourse, the “intellectual dark web,” and more. It was just published today and already has more than 5000 views.

If you haven’t seen the interview that caused such a stir, here it is. I recommend watching it first. It is also jokingly referred to as “Lobstergate.”

Channel 4 News’ full, fiery interview with clinical psychologist and professor Jordan B Peterson, whose views on gender have amassed great controversy – and a huge online following. He discusses the pay gap, patriarchy and his new book “12 Rules for Life.”

Currently at 7 million plus views in 30 days.

 

Walter Potter: The Man Who Married Kittens: Documentary Short

A delightful 20-minute documentary about Walter Potter, an anthropomorphic taxidermist who enjoyed creating realistic scenes of stuffed animals that grew into a museum. Sadly, the museum was later broken up and auctioned to private collectors.

New Antifa Documentary Now Online: Global Uprisings

Update: The new 30-minute documentary is now available for free viewing or download here:

ANTIFA: Special January 20th Screener!

 

The film will be available online by midnight Central European time at the end of January 19, so anyone can organize a screening and download it to show on January 20. If you need to communicate with someone in advance about showing the film, email info@weinterruptthisprogram.org.

Here’s a trailer for the film:

Since the election of Donald Trump, acts of racist violence have proliferated across the United States. Racists and misogynists feel emboldened to express and act on their views. White nationalist groups and resurgent traditional white supremacist groups such as the Ku Klux Klan have used Trumps victory to gain new recruits. All that stands in their way are the groups of anarchists and anti-state communists who have taken it upon themselves to prevent fascism from becoming a powerful political force in the United States. This film tells the story of what “Antifa” is and why people are using these tactics to confront racism and fascism in the US today.

Who are the anti-fascists? What motivates them to risk their lives to fight the far right? What is the history of militant anti-fascism and why is it relevant again today? How is anti-fascism connected to a larger political vision that can stop the rise of fascism and offer us visions of a future worth fighting for? Through interviews with anti-fascist organizers, historians, and political theorists in the US and Germany, we explore the broader meaning of this political moment while taking the viewer to the scene of street battles from Washington to Berkeley and Charlottesville.

New Documentary on January 20, 2017: ANTIFA

2017 National Film Registry Adds ‘Guess Who’s Coming to Dinner,’ ‘Titanic,’ ‘Superman,’ Among the Titles

Photo: Scenes from 2017 National Film Register inductees (clockwise from top left), “The Goonies,” “Thelonius Monk: Straight No Chaser,” “Boulevard Nights” and “Spartacus”

Librarian of Congress Carla Hayden has announced the 2017 selections to the National Film Registry of the Library of Congress.  Selected for their cultural, historic and/or aesthetic importance, these 25 motion pictures range from an early film of the New York subway in 1905 and the musical biopic “La Bamba” to the holiday action thriller “Die Hard” and “The Goonies,” the adventure tale of a band of misfits.

2017 National Film Registry
(alphabetical order)

Ace in the Hole (aka Big Carnival) (1951)
Based on the infamous 1925 case of Kentucky cave explorer Floyd Collins, who became trapped underground and whose gripping saga created a national sensation lasting two weeks before Collins died. A deeply cynical look at journalism, “Ace in the Hole” features Kirk Douglas as a once-famous New York reporter, now a down-and-out has-been in Albuquerque. Douglas plots a return to national prominence by milking the story of a man trapped in a Native American cave dwelling as a riveting human-interest story, complete with a tourist-laden, carnival atmosphere outside the rescue scene.  The callously indifferent wife of the stricken miner is no more sympathetic: “I don’t go to church. Kneeling bags my nylons.” Providing a rare moral contrast is Porter Hall, who plays Douglas’ ethical editor appalled at his reporter’s actions. Such a scathing tale of media manipulation might have helped turn this brilliant film into a critical and commercial failure, which later led Paramount to reissue the film under a new title, “The Big Carnival.”

Boulevard Nights (1979)
“Boulevard Nights” had its genesis in a screenplay by UCLA student Desmond Nakano about Mexican-American youth and the lowrider culture. Director Michael Pressman and cinematographer John Bailey shot the film in the barrios of East Los Angeles with the active participation of the local community (including car clubs and gang members). This street-level strategy using mostly non-professional actors produced a documentary-style depiction of the tough choices faced by Chicano youth as they come of age and try to escape or navigate gang life (“Two brothers…the street was their playground and their battleground”). In addition to “Boulevard Nights,” this era featured several films chronicling youth gangs and rebellion — “The Warriors” (1979), “Over the Edge” (1979), “Walk Proud” (1979) and “The Outsiders” (1983). The film faced protests and criticism from some Latinos who saw outsider filmmakers, albeit well-intentioned, adopting an anthropological perspective with an excessive focus on gangs and violent neighborhoods. Nevertheless, “Boulevard Nights” stands out as a pioneering snapshot of East L.A. and enjoys semi-cult status in the lowrider community.     

Die Hard (1988)
In this now-classic slam-bang thriller, Bruce Willis stars as a New York cop who faces off, alone, against a team of terrorists inside a high-tech, high-rise Los Angeles office tower. Gripping action sequences and well-crafted humor made this film a huge hit and launched Willis as a major box-office star. Alan Rickman, as witty insouciant terrorist and “exceptional thief” Hans Gruber, serves as Willis’ memorable foe. Because the film is set during the Christmas season, many people now consider “Die Hard” a necessary part of their annual holiday viewing, a counterpoint to other holiday staples such as “It’s a Wonderful Life.”

Dumbo (1941)
Disney’s charming, trademark animation finds a perfect subject in this timeless tale of a little elephant with oversize ears who lacks a certain confidence until he learns — with the help of a friendly mouse — that his giant lobes enable him to fly. Disney’s fourth feature film gained immediate classic status thanks to its lovely drawing, original score (which would go on to win the Oscar that year) and enduring message of always believing in yourself.

Field of Dreams (1989)
Iowa farmer Kevin Costner one day hears a voice telling him to turn a small corner of his land into a baseball diamond: “If you build it, they will come.”  “They” are the 1919 Black Sox team led by the legendary Shoeless Joe Jackson. Although ostensibly about the great American pastime, baseball here serves as a metaphor for more profound issues. Leonard Maltin lauded “Field of Dreams” as “a story of redemption and faith, in the tradition of the best Hollywood fantasies with moments of pure magic.”

4 Little Girls (1997)
An important documentary concerning America’s civil rights struggle, “4 Little Girls” revisits the horrific story of the young children who died in the 1963 firebombing of the 16th Street Baptist Church in Birmingham, Alabama. Director Spike Lee first became interested in the story as a student at NYU when he read a 1983 New York Times Magazine article by Howell Raines. Lee combines his experience in fiction filmmaking with documentary techniques, sensitively rendered interviews, photos and home movies to tell the story. The timing of this production was important due to the ages of the key witnesses and relatives and the need to refresh viewers’ memories regarding a dark period in U.S. history.

Fuentes Family Home Movies Collection (1920s-1930s)
Longtime Corpus Christi, Texas, residents Antonio Rodríguez Fuentes (1895-1988) and Josefina Barrera Fuentes (1898-1993) were very active in their local Mexican-American community. Their collection of home movies — mostly from the 1920s and shot on 9.5 mm amateur film format — are among the earliest visual records of the Mexican-American community in Texas and among the first recorded by Mexican-American filmmakers. As with the best home movies, the images provide a priceless snapshot of time and place, including parades, holidays, fashions and the rituals of daily life. The beautiful images also reflect the traditionally fluid nature of the U.S.-Mexico border. The collection is a joint project between the Texas Archive of the Moving Image and Texas A&M University-Corpus Christi.

Gentleman’s Agreement (1947)
Winning the 1947 Academy Award for best picture and considered daring at the time, “Gentleman’s Agreement” was one of the first films to directly explore the still-timely topic of religious-based discrimination.  Philip Green (Gregory Peck), a Gentile, is a renowned magazine writer.  In order to obtain firsthand knowledge of anti-Semitism, he decides to pose as a Jew.  What he discovers about society, and even his own friends and colleagues, radically alters his perspective and throws his own life into turmoil. Director Elia Kazan masterfully crafts scenes that reveal bigotry both overt and often insidiously subtle. The film was based on a book by Laura Z. Hobson.

The Goonies (1985)
The fingerprints of executive producer Steven Spielberg visibly mark every second of “The Goonies,” with the plot sporting a narrative structure and many themes characteristic of his work. Spielberg penned the original story, hand-selected director Richard Donner and hired Chris Columbus (who had written the 1983 “Gremlins”) to do the offbeat screenplay. With its keen focus on kids of agency and adventure, “The Goonies” protagonists are Tom Sawyeresque outsiders on a magical treasure hunt, and the story lands in the continuum between where “Our Gang” quests leave off and the darker spaces of Netflix’s recent “Stranger Things” pick up.

Guess Who’s Coming to Dinner (1967)
Though it would be Spencer Tracy’s last film and the second film for which Katharine Hepburn would win an Academy Award for best actress, even these movie milestones are somewhat overshadowed by the then-novel plot of the 1967 “Guess Who’s Coming to Dinner.” Hepburn and Tracy play an older married couple whose progressiveness is challenged when their daughter (Katharine Houghton, Hepburn’s real-life niece) brings home a new fiancé, who happens to be black. Celebrated actor Sidney Poitier plays the young man with his customary on-screen charisma, fire and grace.

He Who Gets Slapped (1924)
One of the earliest “creepy clown” movies, “He Who Gets Slapped” was the first film produced completely by the MGM studio, though not the first released. The film features Lon Chaney in a memorable role as a scientist who is humiliated when a rival and his wife steal his ideas just as he is to present them to the Academy of Sciences. He then becomes a masochistic circus clown where the highlight of his act is being repeatedly slapped. One of many stand-out scenes occurs during a circus performance where Chaney spots those who betrayed him and tries to call them out, but his fellow clowns are doing their normal crowd-pleasing routine of slapping him in the face. Filled with nightmarish vignettes, this landmark film from the silent era was directed by Victor Sjöström (newly arrived from Sweden and using an anglicized last name of Seastrom) and also features Norma Shearer and John Gilbert, each on the cusp of stardom.

Interior New York Subway, 14th Street to 42nd Street (1905)
This early actuality film documents New York City’s newest marvel, the subway, less than seven months after its opening. However, the film is not as simple as it first appears. It required coordinating three trains: the one we watch, the one carrying the camera and a third (glimpsed on the parallel track) to carry a bank of lights. The artistic flair is the vision of legendary cameraman G.W. “Billy” Bitzer.

La Bamba (1987)
“La Bamba” is a biopic of the life of rock star Ritchie Valens, rock’s first Mexican-American superstar. Directed by Luis Valdez, “La Bamba” (the film draws its name from Valens’ signature song) charts Valens’ meteoric rise as a musician and his tragic death at age 17 in a 1959 plane crash, along with Buddy Holly and The Big Bopper.  Lou Diamond Phillips stars as the late Valens. The film’s success not only reinvigorated interest in Valens’ brief but notable musical legacy, it also brought the title tune back to the charts (in a cover version by Los Lobos) 28 years after its first appearance.

Lives of Performers (1972)
Yvonne Rainer was born in San Francisco in 1934. At a very young age, Rainer’s father introduced her to films and her mother introduced her to ballet. She moved to New York in 1956, where she studied dance at the Martha Graham School while also learning ballet at Ballet Arts. Much like other choreographers of her era, Rainer sought to blur the stark line separating dancers from non-dancers. Her work has been described as “foundational across multiple disciplines and movements: dance, cinema, feminism, minimalism, conceptual art and postmodernism.” “Lives of Performers” has been characterize as “a stark and revealing examination of romantic alliances … the dilemma of a man who can’t choose between two women and makes them both suffer.”

Memento (2000)
This innovative detective-murder, psychological puzzle (and director Christopher Nolan’s breakthrough film) tells its story in non-linear stops and starts in order to put the audience in a position approximating the hero’s short-term amnesia.  Guy Pearce tries to avenge his wife’s murder but his anterograde amnesia forces him to rely on sticky notes, tattoos and Polaroids. Nolan recounts, “My solution to telling the story subjectively was to deny the audience the same information that the protagonist is denied, and my approach to doing that was to effectively tell the story backwards … so the story is told as a series of flashbacks which go further and further back in time.” According to Nolan, he frequently intercut between the black-and-white “objective” sequences and “subjective” sequences in color. The goal was to show the conflict between how humans see and experience objective versus subjective and the complex relationship between imagination and memory.

Only Angels Have Wings (1939)
Considered the “quintessential” Howard Hawks male melodrama by many, “Only Angels Have Wings” stars Cary Grant as the tough-talking head of a cut-rate air freight company in the Andes. Grant has a dangerous business to run and spurns romantic entanglements, fearing women blanch at the inherent danger. Displaced showgirl Jean Arthur arrives and tries to prove him wrong. Along with sparkling dialogue from Grant, Arthur and renowned character actor Thomas Mitchell, “Only Angels Have Wings” captivates with dazzling air sequences featuring landings on canyon rims, vertiginous ups and downs and perilous flights through foggy mountain passes.

The Sinking of the Lusitania (1918)
Having virtually established animation as a viable medium through films such as “Little Nemo” (1911) and “Gertie the Dinosaur” (1914), newspaper cartoonist Winsor McCay produced this propaganda short (combining animation, editorial cartoon and live-action documentary techniques) to stir Americans into action after a German submarine sank the British liner RMS Lusitania in 1915, killing 1,198 passengers and crew, including 128 Americans. McCay was upset with the isolationist sentiment present in the country and at his employer, the Hearst newspapers chain. It took McCay nearly two years working on his own to produce the film, debuting a year after America entered the war. Nevertheless, this is a significant film historically and a notable early example of animation being used for a purpose other than comedy. In his seminal “American Silent Film,” William K. Everson called the film “a wartime film that was both anti-German propaganda and an attempt to provide a documentary reconstruction of a major news event not covered by regular newsreel cameramen. The incredibly detailed drawings of the Lusitania, intercut with inserts of newspaper headlines relative to the notable victims, and strongly-worded editorializing sub-titles concerning the bestiality of the Hun, make this a fascinating and seldom-repeated experiment.”

Spartacus (1960)
Even among the mega epics being produced by Hollywood at the time (such as “The Ten Commandments” and “Cleopatra”), “Spartacus” stands out for its sheer grandeur and remarkable cast (Kirk Douglas, Laurence Olivier, Jean Simmons, Charles Laughton, Peter Ustinov), as well as for Stanley Kubrick’s masterful direction. The film is also credited with helping to end the notorious Hollywood blacklist of the 1950s – its producer, Douglas, hired then-blacklisted writer Dalton Trumbo to author the script, which was based on a book by another blacklisted author, Howard Fast.

Superman (1978)
Director Richard Donner’s treatment of the famous superhero was not the first time the character had been on the big screen. Kirk Alyn played the role back in a 1948 serial and George Reeves appeared in both theatrical and TV versions in the 1950s. However, for many, Christopher Reeve remains the definitive Man of Steel. This film, an “origins” story, recounts Superman’s journey to Earth as a boy, his move from Smallville to Metropolis and his emergence as a true American hero. Beautiful in its sweep, score and special effects, which create a sense of awe and wonder, “Superman” — as the tag line reads — makes you “believe a man can fly.”

Thelonious Monk: Straight, No Chaser (1988)
Charlotte Zwerin’s insightful documentary of the jazz pianist-composer Thelonious Monk blends together excellent interviews with those who knew him best and riveting concert performances, many shot in the 1960s by Christian Blackwood. Reviewing the film in The New York Times, Stephen Holden noted, “Charlotte Zwerin’s remarkable documentary … reminds us again and again that Monk was as important a jazz composer as he was a pianist.”

Time and Dreams (1976)
Created in 1976 by Mort Jordan, a student at Temple University, “Time and Dreams” is a unique and personal elegiac approach to the civil rights movement. The filmmaker has described “Time and Dreams” as a personal journey back to his Alabama home, where he contrasts two societies: the nostalgia some residents have for past values versus the deferred dreams of those who are well past waiting for their time to fully participate in the promise of their own dreams. Through vignettes and personal testimonies, the film portrays Greene County, Alabama, as its people move toward understanding and cooperation in a time of social change.

Titanic (1997)
James Cameron’s epic retold the story of the great maritime disaster and made mega-stars of both its leads, Leonardo DiCaprio and Kate Winslet. Their upstairs-downstairs romance transported the audience to another world and time via spectacular sweeping scenes in the bow of the ship and beyond. The film cost $200 million to produce, leading many to predict a historic box office disaster, but “Titanic” became one of the top-grossing films of all-time and a cultural touchstone of the era.  Newsweek’s David Ansen spoke of how Cameron managed to fulfill expectations for the film: “When Cameron’s camera pulls back from a closeup of the exuberant DiCaprio at the bow of the ship and lifts to peer down from the sky at the Titanic passing majestically underneath, you feel the kind of jaw-dropping delight you felt as a child overwhelmed by the sheer size of Hollywood’s dreams. ‘Titanic’ is big, bold, touchingly uncynical filmmaking.”

To Sleep with Anger (1990)
Beginning with his UCLA student film, the austere neo-realistic “Killer of Sheep,” director Charles Burnett has carved out a distinctive and exalted niche in American independent cinema. Burnett often sets his films on a small scale but deftly explores universal themes, including the power to endure and the rewards and burdens of family. Critic Leonard Maltin called “To Sleep with Anger” an “evocative domestic drama about the effect storyteller/trickster (Danny) Glover has on the various members of a black family. More than just a portrait of contemporary black society, it’s a story of cultural differences between parents and children of how individuals learn (or don’t learn) from experience, and of how there should be no place for those who cause violence and strife.”

Wanda (1971)
Film and TV actress Barbara Loden wrote and directed this affecting and insightful character study about an uneducated, passive woman from the coal-mining region of Pennsylvania, where the cinema verite-like film was shot. The title character possesses critically low self-esteem, leaves her kids and husband and then drifts aimlessly into a series of one-night stands and a dangerous relationship with a bank robber. Today, many consider this low-budget study of loneliness and personal isolation one of the finest works of independent cinema during the 1970s.

With the Abraham Lincoln Brigade in Spain (1937-1938)
This advocacy documentary about the Lincoln Brigade was shot during the Spanish Civil War to raise funds for bringing wounded American volunteers home. Some 2,800 Americans enlisted in the International Brigades to fight against fascism in defense of the Spanish Republic. The film was directed by Henri Cartier-Bresson with Herbert Kline and additional photography was provided by Jacques Lemare and Robert Capa. This film is held at New York University’s Tamiment Library and is part of a vast collection of materials in the Abraham Lincoln Brigades Archive.

WHOSE STREETS? Documentary Shows Ferguson, Missouri from New Perspective

Official Selection:

Sundance Film Festival 2017 – World Premiere (U.S. Documentary Competition)

Full Frame 2017

San Francisco International Film Festival 2017

http://www.magpictures.com/whosestreets/

http://www.whosestreets.com

SYNOPSIS

Told by the activists and leaders who live and breathe this movement for justice, Whose Streets? is an unflinching look at the Ferguson uprising. When unarmed teenager Michael Brown is killed by police and left lying in the street for hours, it marks a breaking point for the residents of St. Louis, Missouri. Grief, long-standing racial tensions and renewed anger bring residents together to hold vigil and protest this latest tragedy. Empowered parents, artists, and teachers from around the country come together as freedom fighters. As the national guard descends on Ferguson with military grade weaponry, these young community members become the torchbearers of a new resistance. Filmmakers Sabaah Folayan and Damon Davis know this story because they have lived the story. Whose Streets? is a powerful battle cry from a generation fighting, not for their civil rights, but for the right to live.

 

 

 

North Korea: The Death of Kim Jong-nam

PHOTO: Kim Jong-Nam, the half-brother of North Korean leader Kim Jong-Un has been assassinated in Malaysia, South Korea’s Yonhap news agency said on February 14, 2017. / AFP PHOTO / TOSHIFUMI KITAMURATOSHIFUMI KITAMURA/AFP/Getty Images


It’s a murder plot out of a spy novel. Kim Jong-nam, the estranged half-brother of North Korea’s unpredictable leader, was allegedly poisoned by two women assassins at Kuala Lumpur airport. All signs point to Kim Jong-un, the rogue state’s leader, as behind the murder.

101 East investigates the mysterious case, exploring the highly secretive and paranoid world of North Korea, where those who escape continue to live in fear of its reckless brutality. Given the most recent display of its missile tests, it’s a recklessness the rest of the world needs to heed.

This half-hour film by Mary Ann Jolley explains why Kim Jong-nam was assassinated and why he had likely been a target for a very long time. Also available on YouTube.

http://www.aljazeera.com/programmes/101east/2017/04/north-korea-death-kim-jong-nam-170427122806845.html

World’s First Aerial 360 Video Over North Korea 2017

Please note that video viewing is enhanced by moving cursor around to take a 360 degree view.

This video was made by Aram Pan with permission of the North Korea Government. The video was edited per North Korean censors, but Pan claims 90 percent of his original footage is intact.

Pan is flying an ultralight aircraft in order to create the film.

Aram Pan (潘君瀚) is a Singaporean full time photographer and media consultant. During his spare time, he travels to North Korea and captures scenes of the country that the mainstream media generally ignores. He goes by the motto “there are two sides to every coin” and the entire DPRK 360 project is all about looking at North Korea with a different perspective.

His website, www.dprk360.com is sponsored by Young Pioneer Tours, Juche Travel Services and Eastern Vision. He also maintains an active Facebook Page at https://www.facebook.com/dprk360/

Christopher Hitchens vs. Douglas Wilson: Collision: Is Christianity Good for the World?

Documentary:

Collision: Is Christianity Good for the World?

Renowned political journalist and best-selling author Christopher Hitchens is pitted against fellow author, satirist and evangelical Christian Douglas Wilson, as they go on the road to exchange debate over the question: Is Christianity Good for the World? The two theologians argue, confide and even laugh together as they journey through three cities presenting the debate. This film documents the journey, bringing the sharp points together to provide a critical analysis of religion and its perpetuation.

Full Film: https://thoughtmaybe.com/collision/

Directed by Darren Doane

Starring Christopher Hitchens and Douglas Wilson

Distributed by LEVEL4

Release date October 27, 2009

Running time 90 minutes

Inspired by the book Is Christianity Good for the World?

The gloves come off in this electric exchange, originally hosted by Christianity Today, as leading atheist Christopher Hitchens (author of God Is Not Great) and Christian apologist Douglas Wilson (author of Letter from a Christian Citizen) go head-to-head on this divisive question. The result is entertaining and provocative—a glimpse into the ongoing debate.

Publisher: Canon Press (September 2, 2008)

About the Authors